Not Dunne With You, Brian

Had a wonderful music weekend a bit ago with Farewell Angelina at Memorial City Hall on Friday and Brian Dunne at Longview Museum of Fine Arts Saturday night.

Farewell Angelina was enjoyable enough (they did a fun cover of Radioactive), but Brian Dunne was a whole other level, and reminded me once again how much I love LMFA as a performance venue.

I don't know why I'd never heard of this lad before, but he was fantastic, and it was easily the best concert we've been to with the exception of Fenne Lily. I was completely enamored.

Irish Driving or May The Roads Not Rise Up To Kill You

A wolf in sheep's clothing, the car looked innocuous enough on the outside. Round and white like an ewe due for sheering. Inside, though, it felt all teeth and threats of violence.

Having to drive on the left side of the road was fine, long as I was driving a simple, straight line. I could feel the oddness, certainly, but it took little cognitive effort to maintain. It was when turning or merging or making any other kind of major positional adjustment where the mental effort would instantly ramp up like a jet turbine preparing for emergency take off. The calculus to catch habitual actions and reverse them, double check I was reversing and not flipping, then make sure I wasn't reversing an already reversed perspective and therefore dooming us all to fiery death was exhausting.

"Right far, left close," I would chant aloud at every single turn, a ward against mangling steel and flesh. By the second day my co-pilot was chanting along with me.

Driving from the right side of the car was the most brutal bit. I hadn't realized how much a car's position in space had become a ghostly extension of my own body. How much instinct had taken over my sense of where I, as car, was in relation to the road and things around me. Switching sides of the car was like losing a limb and replacing it with a prosthetic. All my instincts revolved around the space a phantom car would exist in, as I tried to reorient with this new object bearing only a surface resemblance to what decades of experience had grafted into my memory.

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Pretty sure we’re gonna die.

In A Name

He took it each morning,
a pickpocket
snatching the prayer from sacred lips;
ducking out the door with prize and bagel.

All day held close,
tucked in breast pocket,
constantly drawing his hand
to feel it pulse in matching time.

He would take it out when alone,
whispered like a secret,
filling mouth and mind
til he could bare it no more,
passing it joyfully across his lips.

he returned it each evening,
tangled up into her,
spent and warm;
gave it back the way he'd taken it:
a quiet thief passionately repenting.

He'd take it again in the morning.

Nice Way To Start The Day

Every week I look forward to the New Music Mix Apple Music puts out on Friday, but most weeks I'm disappointed, even when they aren't serving up a Cimorelli medley.

This week, however, they're giving me new songs by Faouzia

and Gordi (who I'm tentatively planning to see when she pops into the States in May)

as well as several artists new to me who are tickling my fancy and repopulating my depleted main playlist.

Waiting For The Train

On the platform at Balbriggan, looking out over the harbor in the cold evening wind, waiting for the train to Dublin.

A wave of plaid skirts burst through the turnstiles across the tracks, final bell having rung at the local Catholic girls school. Most of the young ladies are heading south, like us, and cross the bridge causing the platform to bloom with florets full of talk about quizzes and teachers and friends not present. It feels a bit like being in the transition scene of an Irish film.

We pick out words here and there, enough to get vague impressions, but the brogue is thick and fast, and sometimes slips into Gaelic. Any secrets they're sharing stay a mystery, at least to us.

The train comes and we start down the track in search of dinner and the National Art Gallery.

"Like You Say You Do"

Wasn't joking about dancing last week. I've even replaced gratitude journaling on my daily task list:

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Funny thinking back to some of the movies I grew up with in the 80's where if a young lady was having a bad day/week her friends might take her out dancing as a curative. Not necessarily for the drinking or the hooking up, though those were not uncommon associated activities, but for the joy of moving to music.

I don't remember their male counter parts ever doing that. If men were heading to a club it was as something more akin to predators stalking a different kind of release.

I wonder how that general difference in perception came about? I feel a bit cheated.

Today's break brought to you by Gabrielle Aplin's new album Dear Happy.